a christmas dinner
Paul’s door leads, as ever, to the houseboat. (A much improved houseboat in terms of cleanliness, we might add.) It opens out onto the living room, which is no longer a refugee camp for loose papers, but actually a living room. The coffee table at the center has a couple of rolls of wrapping paper on one side, and a few books on the other. The ashtrays and glasses that used to litter the surface are nowhere in sight.
There’s also a lamp on, which Paul neatly steps around as he makes his way across the room.
“So, um. It’s about a ten-minute drive from here,” he says, drawing a set of keys from his jacket pocket, and grabbing an umbrella from a stand by the front door (better safe than sorry – the rain’s been a bit on and off throughout the day).
“And by ten, I am considering traffic. Which shouldn’t be too big of an inconvenience.”
There’s also a lamp on, which Paul neatly steps around as he makes his way across the room.
“So, um. It’s about a ten-minute drive from here,” he says, drawing a set of keys from his jacket pocket, and grabbing an umbrella from a stand by the front door (better safe than sorry – the rain’s been a bit on and off throughout the day).
“And by ten, I am considering traffic. Which shouldn’t be too big of an inconvenience.”
no subject
"Kind of like that."
no subject
Shrimp.
"Just making sure we're on the same page."
Even if she does kind of suspect that the book itself was just hurled out the window of a moving train.
no subject
"Because, I think, one extreme has the potential to turning into airy smalltalk, and the other into philosophical talk.
no subject
"Which would you prefer?"
no subject
"The latter?"
no subject
no subject
no subject
Not sure if this is philosophy, but...what's your favorite thing to write about?"
no subject
"So, I think it's a salient point. I mean, I can't imagine writing anything else. The crime beat - you get so involved with the people. It sucks you dry, but it's completely worth it."
no subject
"Figuring out the puzzle, or telling the story?"
no subject
Beat.
"Is that a cop-out?"
no subject
"Eh, don't think so."
no subject
no subject
Artemis has always been partial to a good story.
"Taking something so disjointed and setting it all in a way that it makes sense, that everything flows..."
--is not too far from healing and the thought makes her pause very slightly when she reaches for her water glass.
no subject
(The pause, he catches - he's trained to see things like that, after all - but refrains from asking after it.)
no subject
"Speaking as somebody who's tried a lot of gigs, I believe you."
no subject
"They hate me, sort of, but I bet they'd love you."
no subject
Not that I don't think I'm completely loveable, but..."
no subject
Smiling a little sheepishly, he rubs the back of his neck with his fork-less hand.
"In as few words as possible, and also - possibly the least well thought-through: you're one of the best people I know. If I thought I could go on without sounding like a suck-up, I would, really."
no subject
"Oh, is that all."
no subject
And he is not turning red at all, what are you talking about.
no subject
My, the pasta is fascinating to look at.
no subject
"Glad you agree."
no subject
"I'd think most people would prefer you sound the way you are," she murmurs.
"Although I'm sure you were adorable in fifth grade."
no subject
"Well, I didn't steal anyone's lunch money."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)